13. Liliane’s replacement

We’re on the train and I’m very excited. In only a few hours, we will be in southwest London at the home of one of my dearest friends.

Sarah and I met in Japan in August 1997. I had already completed two years as an assistant language teacher with the JET programme in a little town in Fukuoka in the southwest of the country. Sarah was brand new and had come to replace my friend Liliane, who had the same job as me in the next town over. Surely, no one could replace Liliane.

I arrived at Liliane’s apartment one hot August evening to meet this new person. Sarah opened the door. I remember her holding the Arthur Hailey novel Hotel in her hand when she opened the door. Back then, I was all up myself, into the Beat poets and raving about Jack Kerouac, so I wasn’t too impressed by her choice of reading material. ‘She’ll never replace Liliane,’ I told myself.

She invited me in and we sat at her kitchen table (Liliane’s kitchen table) and started to get to know each other. Twenty-eight years later and I’m on a train to London to see Sarah. I’ve no idea where Liliane is.

Sarah’s first year in Japan was to be my last. We quickly became firm friends and giggled our way through that year, having all sorts of fun. A year after I left Japan, I returned to visit her for a few weeks the next year and when she returned home to live in London, our friendship only deepened. She came to Ireland and met my family and I went to England and met hers.

We met our future husbands at around the same time. I still have the letter she wrote to me about the cute Spanish guy she met while she was in Boston and how he stuck a Post-it note to her work computer, asking her out on a date. She sent me that letter around the same time I sent her a letter about the cute English guy I met while I was studying in Aberdeen. Her wedding a couple of years later to Luis remains the best wedding I’ve ever been to.

We became pregnant with our first babies within months of each other and Lily and Isabel have known each other since they were tiny. Then I had Katie and Sarah had Daniel and our four kids – now all teenagers – get on like a house on fire.

Rarely a year has gone by when our two families don’t spend time together – her English-Spanish family coming to spend a few days with us; my Irish-English Spanish-speaking family spending a few days with them. These annual visits are a highlight of our year. The fact that our children all get on so well makes it all the easier for Sarah and me. Over the coming days, we’ll hang out, go places together, she’ll tell my kids stories about me and I’ll tell her kids stories about her – all from the days when we weren’t a whole lot older than they are now. And we’ll part ways after those few days, our friendship renewed and, despite a few more wrinkles than last year, the two of us feeling, just a little, like we’re in our 20s once again.

Now, I wonder what ever happened to Liliane?

12. Jumbo hot dogs

Warwick market, Saturday morning

Being in the UK and, in particular, in this town, brings memories of Julian flooding back. I pass through places by car that I only ever drove through with him. I go to places that I visited for the first time, or only ever visited with him. Indeed, I would never have known this town in the middle of England, had I never met him.

There have been times in the past few years, when being here has been overwhelming. Not only being in this place, but being with Julian’s family and the memories and emotions that being in their company brings to the surface. In the past, being here has caused me to have panic attacks. In fact, last year, after only four days, I ended up in A&E (ER) with a panic attack that I thought was a heart attack. That was a scary day.

This time, however, I am so much more at ease. Time has played a part in healing me, so too have eight sessions with a therapist that I gave as a birthday present to myself last year, so too the memoir I’ve been writing this past year. I’m busy with work (intentionally, perhaps?) and I’m absorbing the sensations of being in parks and along canals and surrounded by nature in this exceptionally nature-filled town. (Yesterday, a falcon had an aerial fight with two crows only metres from me in Priory Park!)

Each morning since we got here, I work for a few hours at Warwick Library. Yesterday, I went in as usual. But it wasn’t usual. It was Saturday, so the market was on in the square in front of the library. Even better, at the far end of the square I saw a van bearing the words ‘Jumbo Hot Dogs’. Memories came flooding back. I phoned Katie and suggested that she and Lily get Granddad to drive them to the library in a few hours, so we could wander the market and have jumbo hot dogs for lunch.

The girls duly arrived and I packed up my laptop and we wandered around the market, chatting to the vendors and browsing the arts, crafts and foodstuffs they had on offer. At the food stalls, there were savoury pies and all sorts of lovely things that tempted me. But I was going for the jumbo hot dogs, for nostalgia’s sake more than anything else.

You see, Julian loved jumbo hot dogs. No matter what his state of hunger, if he spotted a jumbo hot dog stand, he had to have one. He was also someone who stuffed receipts into his pockets. When we both worked, we shared the task of doing the laundry. Every time it was my turn to put a load in the machine, I’d first have to empty Julian’s trouser pockets of receipts. When we lived in Cambridge, I’d often find five or six receipts for the jumbo hot dog stand! How long had he been wearing those trousers? Or how many hot dogs was he consuming a day? He’d laugh sheepishly and tell me he’d occasionally get a craving in the middle of work, leave his desk, hop on his bike and cycle the two miles into the middle of Cambridge for a jumbo hot dog and then return to work. Crazy man.

So, there was nothing for it yesterday but to introduce jumbo hot dogs to our daughters, who’d only ever before had those cheap rubbery vacuum packed frankfurters you get at kid’s birthday parties, and not these juicy British sausages, with real fried onions, ketchup, in a soft, freshly baked hotdog roll. Katie wasn’t sure if she wanted one, so I bought two. One bite of mine and I had to go back to get a third from the friendly chatty couple running the van.

Good God, they tasted good, that combination of good food mixed with good memories. As we ate, I told the girls about their father’s jumbo hot dog obsession, another piece of him revealed to them, another good memory of him restored to me.

11. The artist formerly known as…

When she was in her early 50s, my mother decided to take up painting. She joined an art class, bought art supplies and painted some lovely landscapes and rustic urban scenes that still grace the walls of her house.

The Christmas after she took up painting, I arrived home from somewhere, I can’t now remember where. The presents were all under the tree – all except Mammy’s present to me. One of my and my sister’s favourite pastimes in the days leading up to Christmas Eve was to sit by the tree, examining all the carefully wrapped presents with our names on and guess the contents, comparing the size and weight of our respective presents. Mammy explained that she hadn’t put my present under the tree yet, because I would immediately know what it was and the surprise would be ruined. She planned to only put it under the tree in the moments before we unwrapped our presents after tea on Christmas Eve. I had no idea what it might be.

The next day, I went in to Gilroy to see Nana. She made me a mug of coffee and put a plate of biscuits on the coffee table beside the bowl of Quality Street chocolates that was already there. We chatted about this and that. After a while, and seemingly apropos to nothing, she said, “What do you think of it?” “Hmmm?” I said, too busy deciding whether to have another Quality Street or another biscuit. “I don’t think it looks anything like you, do you?” she asked. “Erm, no,” I replied, with genuinely not a clue what she was talking about, but also still too distracted by the chocolate to find out more. And the conversation moved on to other things.

Christmas Eve evening arrived. We ate our tea and then went to light the Christmas candle on the hall table. Daddy lit the candle and the four of us bowed our heads and said a prayer. The moment to open our presents had come. In the middle of tea, Mammy had slipped out to put her present to me under the tree. As soon as I walked into the sitting room and saw it under the tree, I knew that it was a painting of some sort.

We opened our presents one by one, each of us waiting to see what everyone else had received and watching their reactions. The moment came to unwrap my painting from Mammy. I carefully removed the wrapping to reveal…a portrait of ME! Well, sort of a portrait of me. I tried hard not to burst out laughing and one look at Daddy’s and my sister’s faces let me know that they were struggling not to laugh too. But, she’d put so much effort into it and none of us wanted to hurt her feelings. But, God, it was hard.

“I couldn’t get the lips right,” she said. I thought to myself ‘And that’s not all!’. I could see that the lips and been drawn, erased and redrawn many times in pencil, as she tried and failed to get the shape right. My nose was very long and narrow, my eyes strangely slanted and wide-set and my hair sat on top of my head like a helmet. My shoulders were heavy and, although the portrait stopped above my chest, it gave the impression that I had the huge heavy breasts of a seventy year old. “It’s lovely,” I said.

I don’t remember what happened next, but by the next day, Mammy’s portrait of me had turned into a highlight of our Christmas. The first to see it was my uncle Tom, when he arrived out for Christmas Day dinner, and then my uncles and cousins who came out for tea later that evening. Mammy was very quickly in on the joke, realising that this was perhaps not her best work and that the portrait had value of a different kind – it made us all silly with laughter. We discovered the best thing about the portrait was showing it to people with straight faces, pretending that we thought it was brilliant and watching as the cogs moved in their heads as they tried to find something polite to say about it.

The portrait came with me to the UK and, when I met Julian, it came with us to the many houses we lived in over the years. I’d sometimes arrive home late at night to find Julian in bed with the portrait on my pillow, delighted with his little joke. He carried on the tradition started by my own family of showing it to his family and our friends with a straight face and waiting for their reactions.

When we moved onto the boat, there was no room for the portrait, so we put it up in my father-in-law’s loft in Coventry. I imagined it doing a Dorian Grey on me but, I’ve grown older and it continues to not look at all like me! A little over a year ago, my father-in-law downsized to a smaller house and I travelled to the UK to deal with what was left of our stuff up in his loft. There I found the portrait, which I hadn’t seen in years. There was only one place for it – on the wall of the spare room (Lily and Katie’s room) at my father-in-law’s new house.

Lily and I are sleeping in that room at the moment, with Katie relegated to the sofa in the living room. Every time we look up at that portrait we giggle. Who could have guessed that that heartfelt and earnestly created piece of art would have such an unexpected life out in the world.

10. From there to here

The trees are so big and so green and so varied and so alive. Oaks, horse chestnuts, sycamores, beech. Their trunks are immense and they reach high up into the blue sky. So unlike the scrubby arid trees of the dehesa (savannah) of southwest Spain. Tiredness is causing me to have an out of body experience as I walk through Priory Park. Is this what it’s like to experience the world when high on drugs, I wonder? The giant beautiful trees seem to pulsate around me, my brain and eyes playing tricks on me. Maybe the trees are playing tricks on me too. The tiredness is adding to my disbelief that I’m here, when only a few hours ago, I was there.

We woke up at 3.10am. I slept little anyway, checking my phone through the night to make sure I hadn’t slept through the alarm. Katie had set her alarm too, so it wouldn’t have mattered, but tell that to my subconscious/unconscious brain. It didn’t help that the narrow single bed in the cheap airport hotel was springy and uncomfortable and the room was too hot at first, then too cold with the fan, then too hot when I turned the fan off. Through those few brief hours, I heard other hotel guests arriving and departing, the thunk-thunk of heavy suitcases being hauled up or down the old stone stairs of this hotel without a lift, the wheels squeaking down the corridor outside our bedroom door, a movement-sensing light flooding our room with light through the glass panel over the door.

I am grateful that the airport was straightforward, the flight uneventful, our train to Leamington Spa on time. By the time we get to my father-in-law’s house mid-morning, the effects of the tiny €30 airport breakfast has long worn off and we are starving. While he asks the girls about the flight, I make a bee-line for the kitchen, knowing exactly what I’ll make (the girls and I have been discussing it, fantasizing about it). We anticipate what Granddad will have in stock, and we’re not disappointed. Rashers and eggs and fried tomatoes, with buttered fresh white bread and strong tea.

Afterwards, I rest for an hour, unpack a little and then I’m off again. The girls are sleepy, though they claim they aren’t. But they’re pale and have bags under their eyes, so they can’t fool me. I leave them sitting in the livingroom with Granddad, looking out over his garden at a fat pigeon pecking at the seeds he’s scattered about. I leave the house to the sounds of him telling the girls about a radio he built when he was a teenager, from his dad’s old cigar box. I hear him ask them what components they’d need to make a radio. My Gen Z teenagers have never used a radio in their lives, but I’m out the door before I hear their answer.

While my work life will be decidedly less frenetic in the coming weeks than it has been of late, I have a deadline to meet this coming weekend and I need to crack on. I spend a few hours at the library, meet my self-imposted work target for the day, and head back to my father-in-law’s house again. By now, I am well and truly zombified with tiredness, and the trees pulsate as I walk through them. Perhaps they are really Ents. Perhaps I need a good night’s sleep.

9. All the time in the world

I’ve been spending a lot more time with Angela in these last few weeks, since she was given her terminal prognosis. My weekly visits for morning coffee have evolved now into twice or three times a day visits. I know our time is short. I will leave to go to the UK soon and she will simply go. I call in at 11 each morning and again at 1:30 and maybe again at 3pm. Sometimes she’s asleep and I simply check on her and leave again. More often than not, however, she wakes when I come in, I help her to sit up, go to the kitchen to pour her a cold drink and make myself a coffee, and sit with her and chat.

Despite being noticeably more frail with each passing day, her memories are as sharp as ever. She quotes Tennyson and Shakespeare. She recalls a book on Pembrokeshire written by someone called Loxley that she borrowed from the library 61 years ago. She tells me about her first ever time on an aeroplane when she accompanied a patient from London to Trinidad and got drunk on gin and coconut water when she got there. She tells me about being a trainee nurse in London in the late 1950s and writing letters home to her parents in Leicester every day. Despite our weekly get-togethers over the past number of years, I learn more about her every day.

But I’m also in a rush. I’m leaving home soon and I won’t be back for ten weeks, so there are preparations to be made, the fridge to clear out, everything organized for the dog to go spend the summer with friends. I will be working all summer while I’m away, so I need to remember to transfer all my work from my computer onto my laptop. On top of that, I have an unusually large amount of work on my plate with various deadlines looming, so I’m trying to keep four different editing and writing plates spinning at once. Five days before I leave, a neighbour dies and the next day another. That’s two funerals now that I want to attend. On the day the first neighbour dies, another friend is rushed to hospital. Her husband is at a loss and asks me for some help. I wake up the next morning to discover that one of my kayaks has been stolen. I discover the next day that it’s been abandoned over the river, so now I have to go retrieve it. To say things are frantic and chaotic in these final few days is an understatement.

Yet, in the midst of it all, I continue to call to Angela two or three times a day. On Monday, she’s feeling weaker than ever and her every movement is slow and laboured and requiring lots of breaks. When she’s finally sitting up, with a glass of drinking yoghurt in her hand, she smiles at me and says, ‘It’s alright. We have all the time in the world.’ And you know, she’s right.

For all the mad rushing around, the lack of sleep, the ‘not-another-thing-piled-on-top-of-everything-else’ sort of week, here in her bedroom, time is meaningless. It’s just her and me, sharing our stories as always, making each other laugh, making each other think.

On my last day, as I finish up my work, finish packing, finish prepping the house to close it up, and count down the hours till my 7 o’clock departure, I decide to embrace Angela‘s insight that we have all the time in the world. When I visit her mid morning, she’s asleep. I don’t wake her but neither do I go home. Instead, I make a coffee and sit with her for half an hour, feeling time slowing down and my shoulders beginning to relax. When I return a couple of hours later, she’s awake. I help her up so that she’s sitting on the edge of the bed and we talk and talk and talk. For that hour, in that room, we have all the time in the world.

8. Leaving home and going home

Later today, I will close my front door behind me as the girls and I leave home for 10 weeks. We’ve never been away from Sanlucar for so long before. At first, we will spend a few weeks in the UK and then we will go home to Ireland. We have a wonderful summer ahead of us, packed with family and close friends and trips to all sorts of wonderful places and events.

But I have mixed emotions about leaving. I am saying goodbye to a close friend who, owing to illness, will likely no longer be with us when I return. At the same, I am excited to spend time with my family and dear friends, the people who have known me longer and who know me better than anyone.

I’m taking the girls away from a summer by the pool and at the beach, and being with their friends. I’m also taking them away from Lady. But then I remind myself of how hot it’s going to be and how we’ll be stuck inside the house most of each day in +40C heat. So, I’m looking forward to taking the girls to cooler beaches and to places familiar to them that they want to visit again and places new that they have never been to. And I’m excited about the time they will get to spend with friends in the UK, starting on Sunday, when we travel to London to visit their oldest friends.

While I have adapted to many aspects of Spanish culture, after ten years I have yet to adapt to staying out so late at night. I can do it once or twice in the entire summer. But, in general, when Sanlucar comes alive at night in the summertime, when many of our friends and neighbours are out strolling the streets, or at one of the bars, or sociably sitting outside their houses, the girls and I have already gone to bed. I have tried to adapt, but I can neither stay awake that late at night nor get by on so little sleep the next day when I need to be up at 6am to get my work done before it gets too hot. Lots of people have managed to adapt to it. Sadly, I’m not one of them. So, I’m looking forward to cooler weather in the UK and Ireland (despite a heatwave in the former at the moment) and sticking to my normal bedtime.

For all of that, for all the wonderful things I have planned, I know that when I am at home* in Ireland I will miss my home in Spain. I will be looking forward to coming home in September, batteries charged, feeling refreshed and renewed, and feeling love and longing for both the home I will be leaving behind and the home I will be returning to. I am grateful for both.

*I don’t actually own a home in Ireland. We’ll be couch and spare-bed surfing for the entire summer. It’s more that home owns me.

An aerial photo of my home in Ireland, taken sometime in the 1960s.

7. Ritual

I’ve been thinking a lot about ritual lately and, in particular, the comfort and familiarity of ritual at liminal and transformational times, such as death. I think back to twenty-one years ago, when my father was in his last days. One of the lovely palliative care nurses suggested that, as the inevitable approached, we talk to the undertaker so that, when the time came, he knew and we knew what to do. My mother, sister and I considered cremation, based on something brief and passing that Daddy had said many years before, when he was in the full of his health. But cremation wasn’t our tradition, none of us had ever been to a cremation and we were pretty sure that none of the other mourners at Daddy’s eventual funeral would ever have been to one either.

A couple of days later, I met the undertaker for a coffee and a chat. We went to school together, so I’ve known him most of my life. He was kind and caring. He said that of course he could undertake a cremation, but it would not be like the funerals we were so familiar with. It would have to take place at the crematorium in Dublin and it would be a number of weeks before we had a date for it. While we could still have a funeral in our parish church in Cloherinkoe, there wouldn’t be that moment of burial that is the final and closing act of all the funerals we had ever been to. He advised against it, saying that, for us, for our extended family and friends, and for the many other mourners, the familiarity of the Catholic funeral and burial would be a greater comfort than doing something very novel, such as a cremation. We weren’t bent on a cremation, and we didn’t think Daddy would be either, so when I returned home to report on my conversation with the undertaker, my mother, sister and I decided to go with a traditional and familiar funeral.

A few days later, when the moment finally came, I remember how easy it was to slip into the role that that ritual expected of me. We all knew what to do, how to behave. The mourners who came to our house for the wake knew what to do, what to say to us. We all knew the protocol for saying the rosary, for sitting up with him through the night, for his removal to the church the next evening, for Mass the following morning, and for his final journey to Carrick graveyard. And we all knew the hundreds of tiny rituals within all of that – the brief words, the gestures, the tea and the ham sandwiches. Decisions were lifted from our shoulders, because we simply did things the way they had always been done, all the steps unchanged. But it wasn’t only that we knew what to do. It was that we were doing it in community with others. Hundreds of people filed through our house in the two days of Daddy’s wake, hundreds more came to the funeral. And because we all knew what to do, people were relaxed and at ease, with us and with each other. Familiar ritual gave us space to express and to sit with the profound grief we carried in those few days immediately after Daddy’s death.

I’ve been moved to think about this lately. In the past couple of days, I’ve attended two funerals in our tiny village. On Sunday, it was the funeral of Juan, in his late 90s, the oldest man in the village, who had suffered an illness in recent months, at the end of a long and active life. On Monday, it was the funeral of Maria, from the village shop, in her 80s, who died after a very brief illness. Both were very much loved and well respected members of Sanlucar, still out and about in the village until close to their final days. Our village has had a tough few days, with these two deaths and the sudden illnesses of other members of the community.

As I attended those familiar Catholic funerals on Sunday and Monday, I thought about how easy it was to fall into that transitional ritual, to take on the role of bereavement or of supporter for those who have been bereaved. Despite a few minor differences between the funeral ritual in Ireland and Spain, they are essentially the same, from the wake, to the removal to the church, and then the walk to the cemetery, the way the bereaved and all the other mourners behave. Everyone knew their role. And there was comfort in that.

Even though my religious faith lapsed decades ago, my faith in religious community remains strong, and I continue to find immense comfort in the familiarity of the rituals that I grew up with, no more so than at that most difficult of transitions, death. Whatever your religious or non-religious background, being able to simply slip into a role and perform a role at a time when everything around you feels chaotic and overwhelming is a gift. During my family’s own difficult time, when my father and his siblings and my godfather and my aunt all died in the space of only a few months and years, and my family was rocked to it’s core, I found comfort in being together, even with people I barely knew who attended those funerals, to engage in a ritual that we all knew. I hope that my grieving neighbours in Sanlucar, who have lost their beloved family members in the past few days, have also found comfort in that familiar ritual.

Photo by Meizhi Lang on Unsplash

6. Ants

A few nights ago, in the middle of a cozy family viewing of Wicked, Lily got up to get something from the press. ‘Mum,’ she called from the kitchen. ‘There’re ants everywhere.’ We’ve had very few ants so far this summer – just one minor marching infestation that I’d quickly dispatched. I leave the comfort of the sofa to go investigate. To say I lost it would be an understatement. I swore at the ants. I shouted at them. I wished them nothing but back fortune. Our food cupboard had gone from zero ants to nothing but ants in the space of a few hours. I traced where they’d come from and found a line of the little blighters coming in via the top corner of the patio door. The patio door that had so valiantly kept them out last year, but now they’d found a way in. Mid-movie, I now found myself hot and bothered, feverishly swiping ants from around the honey jar, the bag of sugar, the jar of peanut butter. Every time I picked up a can or a jar, I found ants scurrying underneath, suddenly disturbed and running in circles, disturbed by this giant human who has lifted the roof off. The reason I’m so mad is that I know that once they’re in, they’re in, and the only thing that will get rid of them is autumn and the temperature dropping. Autumn’s a long time away.

I deal with the invasion as best I can and return to Wicked, all hot and bothered and the girls bemused by my over-the-top reaction to the ants. The next morning, I get up to find them all over my worktop. The morning after that on a crumb of bread I’d missed when sweeping the floor. Everything is an ant attractant – dishes not washed up immediately after use, the dog not eating her dinner quick enough (she’s a slow eater and sometimes can take a few hours to eat her food, so in summer I have to whip the bowl off the floor if she leaves it for more than 10 minutes). Every day I find them in some new place. And, I know the worst hasn’t happened yet, but it will, because it happens every year. There are two tiny gaps between tiles on my living room floor, just at the bottom of the stairs. Sometime, late July or early August of every year, they come pouring in there. One hot day, I’ll come into the living room to find a procession of ants pouring out of those two tiny gaps. I’ve tried filling the gaps, covering the gaps, pouring ant powder down the gaps. It doesn’t matter. Eventually, one way or another, they find their way into the house.

What bugs me about them (no pun intended) is that their presence forces me into action when I don’t want to do, don’t have time for, or that disturbs something else that I’m in the middle of. I’m not a natural ‘put everything away and wash everything up to sterile hospital conditions’ sort of person. But I live in a country that is, I’m pretty sure this is a scientific fact, 99% made up of ants. At least it seems that way at this time of year.

But now I’m taking a different approach. I’m channeling my old geography colleague Steve Hinchliffe’s work on conviviality, of living with and alongside nature. The ants are here for now. Like they’re here every year. Until it gets cooler. They have a job to do. When they’re not in my house, when I encounter them outside, I’m fascinated by them – their strength, the way they communicate with each other (what they say, I don’t know, but they clearly communicate, one going in opposite direction to the others in their procession), their tenacity, their ability to very quickly break down and get rid of the remains of dead animals and food. I’m grateful for the role they play in the ecosystem as decomposers and nutrient recyclers.

So, why should I feel differently about them when they come into my house? They’re not really doing any harm. They’re just doing their thing. And they’re simply forcing me to tidy up a bit more swiftly and not leave things out on the worktop. I’ve also come to the self-awareness that I’m less concerned about the ants being in my house than I am about what people might think if they came into my house and saw the ants. But everyone has ants at this time of year. I see them on other people’s worktops and floors and I don’t judge them. They’re part of our lives in summer in Spain. So, rather than getting mad at them I’ve decided to be more convivial towards them. Live with them by being a bit more swift and thorough in my cleaning. But I’m still likely to get mad at the kids when they leave an empty yogurt pot lying on its side on the kitchen table!

5. Sedna

Sedna/Nuliajuq by Brian Arualak, Arviat, 20003

A few days ago, when it was too hot for Lady’s little paws to be on the road, I took her down to the river for a swim. When I got there, I spotted a yacht on the pontoon called Sedna. I got very excited. Sedna (or Nuliajuq in the Kivalliq region of Nunavut) is the supreme goddess of Inuit mythology. Goddess of the sea, she hides and protects the marine animals in her long flowing seaweedy hair, only revealing them to hunters who prove themselves deserving. How does she decide who’s deserving? It’s those hunters and, more importantly, their wives, who generously share the meat and fur and other parts taken in the hunt. In the old days (and in some quarters still today), Inuit believed that animals, once released from Sedna’s hair, gave themselves to generous hunters.

So, I got very excited when I saw this boat. The way I got excited in the past to see a boat called Aarluk (orca) or one called Nanuq (polar bear). One doesn’t expect to see Inuktitut words in southern Europe! I couldn’t resist popping down to the pontoon to say hi and inquire as to why the owner had named his boat after the Inuit goddess of the sea. I mean, a goddess of the sea I get; but the Inuit one specifically?

I saw that the boat was flying a Spanish flag and had a Spanish registration mark printed on the hull. There was a man in his seventies in the cockpit. ‘Buenas tardes,’ I said, assuming that he, like his boat, was Spanish. When he replied in English with a British accent, I said hi, and told him, perhaps a little over-enthusiastically, that I’d noticed his boat was called Sedna.

‘Oh yeah,’ he said, distinctly less enthusiastic than I was. ‘Why did you call it that?’ I asked. ‘That’s what the previous owner called it and I didn’t bother to change it.’ He seemed not curious, not interested, not bemused, not annoyed that I’d bothered him. Indeed, he seemed not really anything at all that this overly-exuberant Irish dog-walker on the Spanish border was trying to make conversation about the name of his boat.

‘Do you know what it means?’ I asked.

‘Nope,’ he replied.

‘She’s the Inuit goddess of the sea,’ I started, but he cut me short and asked, ‘Do you live here?’ He was completely disinterested and my little bubble of excitement at having found someone who might share my interest in Inuit mythology and Inuit culture was immediately burst.

I laughed at my silliness after. At how I had imagined our conversation would go and at how the conversation actually went. I chatted with him for a few minutes more, answering his questions about life in the village, and whether I still owned a boat, and whether the schools around here are any good. Then I said goodbye, wished him luck on his sailing trip and Lady and I carried on on our merry way.

4. Blinded by the tears

It’s hard to put into words what Bruce Springsteen means to me. His music and his persona are so entangled with my teenage years and my 20s, with my relationships with my father, my sister, my cousin Sean. Bruce Springsteen is me listening to the Born in the USA album on the stereo in our living room when I was 13 or 14 years’ old, wishing I could go see him in Slane. It’s finally going to see him when I was 17 in the RDS with Daddy and my sister. It’s going to see him again when I was 20, this time on my own, the night before my final anthropology exam at the end of my degree. None of my friends would come with me, because of…well…final exams, but I’d been to Bon Jovi the night before and now Bruce (I did great in those exams, by the way). I remember standing on my own at the very front of the crowd, crushed up against the stage and Bruce doing an acoustic version of Thunder Road. It’s me on my 50th birthday, standing in a muddy stadium in Barcelona with my sister and my best friend, tears streaming down my face as Bruce sang Thunder Road again. I’m not a Bruce completist. I don’t have (or even know) all of his music, but I’m an all in, unapologetic fan.

My favorite album, not just by Bruce, but my favourite album by anyone ever, is Nebraska. I’ve listened to it a thousand times. I could sing the whole album to you without skipping a beat (not that anyone would want me to). I love that album. From that opening harmonica of the title track, it just grabs me, with its pathos and anger and the death of the American Dream, and Bruce’s gravelly voice weaving stories of the struggles of ordinary people. It simply moves me in ways that no other album ever has.

Two mornings ago I did what I do first thing every morning. I put on the kettle and, while I waited for it to boil, I got my phone and looked at the news. I scrolled down my preferred news site, reading about all the terrible things happening in the world at the moment. Down at the culture section, I see that a trailer for some new Bruce Springsteen film has just been released. Not only is it a film about Bruce, it’s a film about the making of the Nebraska album. Jeremy Allen White is playing Bruce. I really loved The Bear, not really because of Jeremy Allen White but because of the entire ensemble cast. I find him an odd-looking sullen little man and I wondered what he would be like in the role of Bruce. I was thinking about it on my one-hour walk so, when I got home, I found the trailer on YouTube for Deliver me from Nowhere, as I discovered the film is called. I watched the two and a half minute trailer and without warning, found tears streamed down my face. I don’t think a trailer has ever made me cry before. It had such a deep impact on me. I don’t really even know why I was crying, but I think a mixture of nostalgia, joy, excitement about seeing the film, and remembering listening to that album throughout my teens and 20s and 30s and how it has meant something different to me at different stages of my life. Later on, instead of listening to a podcast, as I usually do when I’m making lunch, I did the only thing I could possibly do and played the Nebraska album from first song to last.